Buy at least three of the four Faust reissues and get 10% off. Discount applied at checkout. Plus get a free Faust tote bag. This series of new LPs on Bureau B sees each living member of the legendary 1971-1974 line up present their own interpretation of the Faustian myth, working alone or with collaborators to create new material that reflects their contemporary vision of what Faust can be. For over half a century, Hans Joachim Irmler has pursued the outer limits of sound. As a child, he would neglect his flute to pluck at the strings of his grandmother’s zither, cutting his fingers in search of greater resonance and volume. Drawn from an early age to the physical power of sound, he eventually found his instrument in the organ, whose vast sonic range offered seemingly endless possibilities; he still performs on the first organ he built himself. Expanding his sonic palette with synthesisers, tape manipulation and self-modified electronics, Irmler has relentlessly treated music less as composition than as a force of nature, capable of overwhelming, disorienting, destabilising and transforming both performer and listener alike. Ungebunden continues this trajectory. Recorded alone in the Faust studio in Scheer over the course of just three weeks, the album does not revisit Faust as a repertoire or a historical artefact, but as a continuous vessel for pure creativity. Working largely through improvisation, Irmler begins with little more than a direction or impulse, allowing the material to reveal its own logic as it unfolds. “Zerfallen Teil I” moves deeper into unstable territory. Sustained drones and wavering string textures drift against detuned keyboards and cascading delay lines, creating shifting rhythmic relationships that seem perpetually on the verge of disintegration. Synthesiser motifs spiral upwards before being interrupted by bursts of interference, mechanical screeches and abrupt spatial dislocations, the track’s tone straddling experimental electronics and the churn of doom rock. Through Ungebunden, Hans Joachim Irmler poses Faust as a question, its sound a force capable of unsettling assumptions, disrupting perception and opening unforeseen possibilities. Tracklisting: A1 Gefallen B1 Zerfallen Teil I B2 Zerfallen Teil II B3 Auseinandergefallen
