before/after

Original price was: $32.99.Current price is: $10.99.

Clothing Size Conversion Chart
Category US EU UK Chest (in) Waist (in) Hips (in)
Men XS 44 34 32-34 26-28 33-35
S 46 36 34-36 28-30 35-37
M 48 38 38-40 32-34 39-41
L 50 40 42-44 36-38 43-45
XL 52 42 46-48 40-42 47-49
Women XS 32 6 31-32 24-25 33-34
S 34 8 33-34 26-27 35-36
M 36 10 35-36 28-29 37-38
L 38-40 12-14 37-39 30-32 39-41
XL 42 16 40-42 33-35 42-44
Youth XS 128 7 26-28 23-24 26-28
S 134 8 28-30 24-25 28-30
M 140 10 30-32 25-26 30-32
L 146 12 32-34 26-27 32-34
XL 152 14 34-36 27-28 34-36
Pants Size Conversion Chart
CategoryUSEUUKWaist (in)Hip (in)Inseam (in)
Men284428283430
304630303631
324832323832
345034344033
365236364234
Women0324243430
2346253530
4368263631
63810273832
84012284032
Shoes Size Conversion Chart
CategoryUSEUUKFoot Length (in)
Men6395.59.25
7406.59.625
8417.510
9428.510.25
10439.510.625
114410.511
124511.511.25
134612.511.625
Women5352.58.5
6363.58.875
7374.59.25
8385.59.625
9396.510
10407.510.25
11418.510.625
12429.511
M (Unisex)5374.58.75
6385.59
7396.59.5
8407.510
9418.510.25
10429.510.625
114310.511
124411.511.25
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Description

Sofie Royer, “one of Europe’s most intriguing underrated pop stars, with a captivating voice and an offbeat aristocratic glamour” (The Guardian), is back with a new album. Having released three acclaimed LPs, the Viennese musician’s songwriting and production have become more complex and polished, her lyrics sharper and funnier. before/after is her most incisive record to date, confronting the gripes of being an artist and weaving self-excavation with cultural commentary. Sofie may have gone from lo-fi producer to a bona fide pop musician who’s opened for Lana Del Rey, Air and LCD Soundsystem, but she still doesn’t know where she fits in. She pulls no punches when critiquing the music industry – “I’m too pop for the art world, too indie darling for the mainstream” – but saves her biggest swings for herself. Over 12 catchy pop songs, Royer wonders if conflicts between past and future aren’t just battles with our own selves. “We are constantly in a battle with the ‘pre’ and ‘post’ states of time,” she explains. “There is a preoccupation with these two tenses; yet by remaining entangled in these states, we are often our own greatest obstacle to overcome. Really, in the state of before/after, it’s always you vs you.”

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